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I have also already collated several quotes and sources from the reading that I have done so far.
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Sluis (2008) text ‘A life more photographic’ as a starting point. “How does the networked image in contemporary visual culture shape the boundaries between public and private? Discuss, drawing on suitable case studies and research.” So, here is my question as I discussed with my tutor at our last tutorial: It also offers the possibility to formulate one’s own question.
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This third section of the course provides a series of projects (largely research and reading-based) and a series of questions. The photographs I chose to take in addition are the following:įor some time I had the plan to make the essay for this module around the delineation between public and private… it has been something that sits at the core of much of my own interests for the past couple of years and I also realise that it animates much of my own engagement with online/digital platforms and communication. Looking through the sequence again, I am even tempted to remove than the initially marked spreads. << this responds to the tutor advice of it being too repetitive and laboured in its current form. > don’t want to retake it reducing saturation (-30) works quite well.
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Posted : - admin.I had taken a series of additional photographs for this assignment back in Spring, mainly following the tutor advice on including other people, different locations so, much of the revision then focused on different grounds, perspectives but also doing a series of photographs with me and my father (my father being the son of the photographer of the initial set of photographs that inspired this project).
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